I startled a pair of deer on a recent ride. Rather than run uphill away from me, they ran along the shoulder of the road for about 100 feet, then dashed across my path and headed down to the wooded creek bank. Trying to think like a deer, I imagined that they figured that if they were going to be pinned down somewhere, they wanted water and shelter. Either that or they’re just stupid, running across the highway in my path, instead of away from it.
I came around a bend quickly and encountered a pair of sandhill cranes. I braked and swerved to give them space. One paid me no mind. The other, with a few graceful wing beats, rose a few feet off the ground and soared 20 feet down the road, coming to rest in the road again. I was enthralled by how such a big bird could get airborne so quickly and gracefully, and come to rest so smoothly. Apparently it had realized I wasn’t a threat. Its partner was still strolling. Thinking anthropomorphically, I imagined the flyer was trying to be cool and pretend it hadn’t been startled. “I just decided to fly a few feet. It’s cool…”
Another red tailed hawk flew over head. I managed to keep both wheels on the road this time as I watched it soar by 15 feet off the ground. It helped that it crossed just ahead of me, rather than directly over head.
In my continuing Wednesday Night‘s Greatest Hits tour, last week I rode from Lodi to the Baraboo Bluffs, crossing on the Merrimac Ferry and climbing Devil’s Delight Road – short but steep enough to require switchbacks anyway. If any of you remember biorhythms (a popular schema in the ’70s), the theory posits that we have three rhythms that follow sine waves at different periods. If all three line up at the top of the wave, you have a great day. If they all line up at the bottom of the wave, it will be a bad day. Last Wednesday was one of those days. I had no energy. Every climb was a chore. Even going down was hard. There seemed to be headwinds in all directions. After climbing Devil’s Delight, I turned around and headed back down, short of the ridge and cutting at least ten miles off the loop I had planned. At least I got two ferry crossings in.
Luckily I saved the ride that is usually that week and did it tonight. The ride starts at Black Earth; if you see the ground being turned in the spring the reason for the name becomes obvious. The Black Earth Creek watershed contains incredibly rich, black soil – even after 150 years of farming. The route crosses the ridges multiple times, with five steep climbs. The person who wrote the cue sheet for this ride illustrated the climbs with evil grinning jack o’lantern demon faces. I felt much better tonight and the five climbs were great fun, as was the 5 miles along Blue Ridge Road, staying on the ridge until the 40 mph downhill. One of the ridges is occupied by the Camp That Must Not Be Named, where my daughter spent many summers and some winter weeks – and I was a counselor-in-training there 51 years ago. The route includes the “easy” side of Sutcliffe Road, meaning that the downhill side is the one where I have hit 50 mph on my steel bike. Tonight as I approached 50 mph I felt a little oscillation in the frame. Rather than just squeeze the top tube with my knees, I feathered the brakes. Either this bike feels less stable at that speed, or I’m just getting old.
One couldn’t ask for a better late July day for a ride…85 degrees (30 Celsius), dew point 59 (15 degrees Celsius), winds less than 5 mph, just enough clouds to give the place atmosphere, and the smell of corn ripening in the fields.
My post-ride beer was a timely one. I’d seen it in stores but hadn’t tried it. Since I forgot my church key tonight I needed something in cans, and voila!
While my guitar gently weeps
The song could have been written (but wasn’t) while listening to Peter Green. One more round from his guitar gently weeping. First is this BB King song, with an opening that sounds like Mose Allison could have written it – “I’ve got a mind to give up living/And go shopping instead”:
There is also a great 1968 live recording of BB himself available on YouTube; BB being the other great guitarist who knows it’s not the number of notes you play, but the soul you put into those notes. That recording also contains a great organ part and a horn funeral dirge. I’ve been listening to Peter Green all week. Slow blues may not be your cup of tea, but he and his guitar continue to weep with his own song:
It almost hurts to listen to Peter Green. He doesn’t play notes, he draws beauty and suffering from the instrument. His voice aches. But when the song is over, I feel at peace.