Call and response

is not new in the musical world. It has been around in many types of music for centuries. (Without call and response, jazz and gospel would not be what they are.) Typically it involves a call from a soloist and a response from the chorus. What I’m thinking of today is a call from one artist and another answering in a later recording. The first example I remember hearing was Hank Thompson and Kitty Wells. (Both songs are in the same YouTube video below.)

The great Marvin Gaye and Tammi Terrell did their call and response in the same song. They were mostly love songs. Otis Redding and Carla Thomas turned that on its ear in a way that I have to include even if it doesn’t exactly fit:

Merle Haggard put out his call to arms with “Okie from Muskogee” (though his smirk in this video makes you wonder if he still believed it) and The Youngbloods answered with “Hippie from Olema #5”, with a nod to Haggard in the last run of the chorus:

Neil Young challenged southern racism with “Southern Man”. Lynyrd Skynyrd seemed to take it personally and answered with “Sweet Home Alabama”, calling out Young by name:

Lynyrd Skynyrd appears to have used the Confederate flag in its marketing as recently as 2018, though more recent iconography appears to emphasize the US flag.

A different sort of example… Paul Desmond wrote “Take Five” (a way of saying “take a break”, but in this case also a reference to being written in 5/4 time) for the Dave Brubeck Quartet . Quicksilver Messenger Service took the motif (and some acid) and changed the time signature to create “Acapulco Gold and Silver” (changed to “Gold and Silver” by the record company).

Who else released pairs of songs like these? Post links in the comments.

News

Epic Systems announced that they would require staff to return to work on site despite a county emergency order indicating that workers should work remotely if possible. Epic stated that they were “facilitating remote work by requiring staff to work in the office, but allowing them to work alone in their office”. County Executive Joe Parisi had this to say about Epic’s definition of “remote”:

The forced return has been postponed.

I’m going for a bike ride after my day of working remotely. By “remote” I mean in patient’s hospital rooms instead of in the office that I share with a bunch of people.

When I use a word,” Humpty Dumpty said, in rather a scornful tone, “it means just what I choose it to mean—neither more nor less.” “The question is,” said Alice, “whether you can make words mean so many different things.” “The question is,” said Humpty Dumpty, “which is to be master—that’s all.” (Lewis Carroll – “Alice in Wonderland”)

Author: halffastcyclingclub

We are a group of friends who ride bikes. Some of us are fast, some of us are slow, all of us are half-fast. In 2018, one of us rode coast to coast across the US. It was so much fun, he's doing it again in 2022! If we meet Sal Paradise, we'll let you know.

4 thoughts on “Call and response”

    1. “Gold and Silver” sounds like 6/8 time to me (unlike the 5/4 of “Take Five”). I agree – “The Fool” is great. I’ve heard others mess around with feedback, mostly making noise in a semi-controlled fashion. “The Fool” includes feedback played as a musical instrument. The interplay between the guitars is fantastic. And there’s a David Freiberg viola solo. One of the all time great songs.

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